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Microcosm (Slide #1)
Microcosm is an experimental animation composed of 11 distinct abstract film slides, their cellular movement powered by the rhythm of the music.
The ethereal sounds of Boards of Canada, the visuals of Yoshitaka Amano’s illustrations, and Stan Brakhage’s experimental films of light all make up the molecular structure of Microcosm.
Microcosm takes a multimedia approach to its visuals, imitating its collage of influences, utilizing packing tape, enamel paint, super glue, Aquaphor, cotton, ash, chalk, and even human hair and spit to compose the abstract film slides that feature in the work.
On display here are the eleven film slides used in the final animation. Each piece can stand on its own, but together they compose something greater than themselves. Each cell that, when combined, creates another living, breathing entity.
The ethereal sounds of Boards of Canada, the visuals of Yoshitaka Amano’s illustrations, and Stan Brakhage’s experimental films of light all make up the molecular structure of Microcosm.
Microcosm takes a multimedia approach to its visuals, imitating its collage of influences, utilizing packing tape, enamel paint, super glue, Aquaphor, cotton, ash, chalk, and even human hair and spit to compose the abstract film slides that feature in the work.
On display here are the eleven film slides used in the final animation. Each piece can stand on its own, but together they compose something greater than themselves. Each cell that, when combined, creates another living, breathing entity.
Microcosm (Slide #2)
Microcosm is an experimental animation composed of 11 distinct abstract film slides, their cellular movement powered by the rhythm of the music.
The ethereal sounds of Boards of Canada, the visuals of Yoshitaka Amano’s illustrations, and Stan Brakhage’s experimental films of light all make up the molecular structure of Microcosm.
Microcosm takes a multimedia approach to its visuals, imitating its collage of influences, utilizing packing tape, enamel paint, super glue, Aquaphor, cotton, ash, chalk, and even human hair and spit to compose the abstract film slides that feature in the work.
On display here are the eleven film slides used in the final animation. Each piece can stand on its own, but together they compose something greater than themselves. Each cell that, when combined, creates another living, breathing entity.
The ethereal sounds of Boards of Canada, the visuals of Yoshitaka Amano’s illustrations, and Stan Brakhage’s experimental films of light all make up the molecular structure of Microcosm.
Microcosm takes a multimedia approach to its visuals, imitating its collage of influences, utilizing packing tape, enamel paint, super glue, Aquaphor, cotton, ash, chalk, and even human hair and spit to compose the abstract film slides that feature in the work.
On display here are the eleven film slides used in the final animation. Each piece can stand on its own, but together they compose something greater than themselves. Each cell that, when combined, creates another living, breathing entity.
Microcosm (Slide #3)
Microcosm is an experimental animation composed of 11 distinct abstract film slides, their cellular movement powered by the rhythm of the music.
The ethereal sounds of Boards of Canada, the visuals of Yoshitaka Amano’s illustrations, and Stan Brakhage’s experimental films of light all make up the molecular structure of Microcosm.
Microcosm takes a multimedia approach to its visuals, imitating its collage of influences, utilizing packing tape, enamel paint, super glue, Aquaphor, cotton, ash, chalk, and even human hair and spit to compose the abstract film slides that feature in the work.
On display here are the eleven film slides used in the final animation. Each piece can stand on its own, but together they compose something greater than themselves. Each cell that, when combined, creates another living, breathing entity.
The ethereal sounds of Boards of Canada, the visuals of Yoshitaka Amano’s illustrations, and Stan Brakhage’s experimental films of light all make up the molecular structure of Microcosm.
Microcosm takes a multimedia approach to its visuals, imitating its collage of influences, utilizing packing tape, enamel paint, super glue, Aquaphor, cotton, ash, chalk, and even human hair and spit to compose the abstract film slides that feature in the work.
On display here are the eleven film slides used in the final animation. Each piece can stand on its own, but together they compose something greater than themselves. Each cell that, when combined, creates another living, breathing entity.
Microcosm (Slide #4)
Microcosm is an experimental animation composed of 11 distinct abstract film slides, their cellular movement powered by the rhythm of the music.
The ethereal sounds of Boards of Canada, the visuals of Yoshitaka Amano’s illustrations, and Stan Brakhage’s experimental films of light all make up the molecular structure of Microcosm.
Microcosm takes a multimedia approach to its visuals, imitating its collage of influences, utilizing packing tape, enamel paint, super glue, Aquaphor, cotton, ash, chalk, and even human hair and spit to compose the abstract film slides that feature in the work.
On display here are the eleven film slides used in the final animation. Each piece can stand on its own, but together they compose something greater than themselves. Each cell that, when combined, creates another living, breathing entity.
The ethereal sounds of Boards of Canada, the visuals of Yoshitaka Amano’s illustrations, and Stan Brakhage’s experimental films of light all make up the molecular structure of Microcosm.
Microcosm takes a multimedia approach to its visuals, imitating its collage of influences, utilizing packing tape, enamel paint, super glue, Aquaphor, cotton, ash, chalk, and even human hair and spit to compose the abstract film slides that feature in the work.
On display here are the eleven film slides used in the final animation. Each piece can stand on its own, but together they compose something greater than themselves. Each cell that, when combined, creates another living, breathing entity.
Microcosm (Slide #5)
Microcosm is an experimental animation composed of 11 distinct abstract film slides, their cellular movement powered by the rhythm of the music.
The ethereal sounds of Boards of Canada, the visuals of Yoshitaka Amano’s illustrations, and Stan Brakhage’s experimental films of light all make up the molecular structure of Microcosm.
Microcosm takes a multimedia approach to its visuals, imitating its collage of influences, utilizing packing tape, enamel paint, super glue, Aquaphor, cotton, ash, chalk, and even human hair and spit to compose the abstract film slides that feature in the work.
On display here are the eleven film slides used in the final animation. Each piece can stand on its own, but together they compose something greater than themselves. Each cell that, when combined, creates another living, breathing entity.
The ethereal sounds of Boards of Canada, the visuals of Yoshitaka Amano’s illustrations, and Stan Brakhage’s experimental films of light all make up the molecular structure of Microcosm.
Microcosm takes a multimedia approach to its visuals, imitating its collage of influences, utilizing packing tape, enamel paint, super glue, Aquaphor, cotton, ash, chalk, and even human hair and spit to compose the abstract film slides that feature in the work.
On display here are the eleven film slides used in the final animation. Each piece can stand on its own, but together they compose something greater than themselves. Each cell that, when combined, creates another living, breathing entity.
Microcosm (Slide #6)
Microcosm is an experimental animation composed of 11 distinct abstract film slides, their cellular movement powered by the rhythm of the music.
The ethereal sounds of Boards of Canada, the visuals of Yoshitaka Amano’s illustrations, and Stan Brakhage’s experimental films of light all make up the molecular structure of Microcosm.
Microcosm takes a multimedia approach to its visuals, imitating its collage of influences, utilizing packing tape, enamel paint, super glue, Aquaphor, cotton, ash, chalk, and even human hair and spit to compose the abstract film slides that feature in the work.
On display here are the eleven film slides used in the final animation. Each piece can stand on its own, but together they compose something greater than themselves. Each cell that, when combined, creates another living, breathing entity.
The ethereal sounds of Boards of Canada, the visuals of Yoshitaka Amano’s illustrations, and Stan Brakhage’s experimental films of light all make up the molecular structure of Microcosm.
Microcosm takes a multimedia approach to its visuals, imitating its collage of influences, utilizing packing tape, enamel paint, super glue, Aquaphor, cotton, ash, chalk, and even human hair and spit to compose the abstract film slides that feature in the work.
On display here are the eleven film slides used in the final animation. Each piece can stand on its own, but together they compose something greater than themselves. Each cell that, when combined, creates another living, breathing entity.
Microcosm (Slide #7)
Microcosm is an experimental animation composed of 11 distinct abstract film slides, their cellular movement powered by the rhythm of the music.
The ethereal sounds of Boards of Canada, the visuals of Yoshitaka Amano’s illustrations, and Stan Brakhage’s experimental films of light all make up the molecular structure of Microcosm.
Microcosm takes a multimedia approach to its visuals, imitating its collage of influences, utilizing packing tape, enamel paint, super glue, Aquaphor, cotton, ash, chalk, and even human hair and spit to compose the abstract film slides that feature in the work.
On display here are the eleven film slides used in the final animation. Each piece can stand on its own, but together they compose something greater than themselves. Each cell that, when combined, creates another living, breathing entity.
The ethereal sounds of Boards of Canada, the visuals of Yoshitaka Amano’s illustrations, and Stan Brakhage’s experimental films of light all make up the molecular structure of Microcosm.
Microcosm takes a multimedia approach to its visuals, imitating its collage of influences, utilizing packing tape, enamel paint, super glue, Aquaphor, cotton, ash, chalk, and even human hair and spit to compose the abstract film slides that feature in the work.
On display here are the eleven film slides used in the final animation. Each piece can stand on its own, but together they compose something greater than themselves. Each cell that, when combined, creates another living, breathing entity.
Microcosm (Slide #8)
Microcosm is an experimental animation composed of 11 distinct abstract film slides, their cellular movement powered by the rhythm of the music.
The ethereal sounds of Boards of Canada, the visuals of Yoshitaka Amano’s illustrations, and Stan Brakhage’s experimental films of light all make up the molecular structure of Microcosm.
Microcosm takes a multimedia approach to its visuals, imitating its collage of influences, utilizing packing tape, enamel paint, super glue, Aquaphor, cotton, ash, chalk, and even human hair and spit to compose the abstract film slides that feature in the work.
On display here are the eleven film slides used in the final animation. Each piece can stand on its own, but together they compose something greater than themselves. Each cell that, when combined, creates another living, breathing entity.
The ethereal sounds of Boards of Canada, the visuals of Yoshitaka Amano’s illustrations, and Stan Brakhage’s experimental films of light all make up the molecular structure of Microcosm.
Microcosm takes a multimedia approach to its visuals, imitating its collage of influences, utilizing packing tape, enamel paint, super glue, Aquaphor, cotton, ash, chalk, and even human hair and spit to compose the abstract film slides that feature in the work.
On display here are the eleven film slides used in the final animation. Each piece can stand on its own, but together they compose something greater than themselves. Each cell that, when combined, creates another living, breathing entity.
Microcosm (Slide #9)
Microcosm is an experimental animation composed of 11 distinct abstract film slides, their cellular movement powered by the rhythm of the music.
The ethereal sounds of Boards of Canada, the visuals of Yoshitaka Amano’s illustrations, and Stan Brakhage’s experimental films of light all make up the molecular structure of Microcosm.
Microcosm takes a multimedia approach to its visuals, imitating its collage of influences, utilizing packing tape, enamel paint, super glue, Aquaphor, cotton, ash, chalk, and even human hair and spit to compose the abstract film slides that feature in the work.
On display here are the eleven film slides used in the final animation. Each piece can stand on its own, but together they compose something greater than themselves. Each cell that, when combined, creates another living, breathing entity.
The ethereal sounds of Boards of Canada, the visuals of Yoshitaka Amano’s illustrations, and Stan Brakhage’s experimental films of light all make up the molecular structure of Microcosm.
Microcosm takes a multimedia approach to its visuals, imitating its collage of influences, utilizing packing tape, enamel paint, super glue, Aquaphor, cotton, ash, chalk, and even human hair and spit to compose the abstract film slides that feature in the work.
On display here are the eleven film slides used in the final animation. Each piece can stand on its own, but together they compose something greater than themselves. Each cell that, when combined, creates another living, breathing entity.
Microcosm (Slide #10)
Microcosm is an experimental animation composed of 11 distinct abstract film slides, their cellular movement powered by the rhythm of the music.
The ethereal sounds of Boards of Canada, the visuals of Yoshitaka Amano’s illustrations, and Stan Brakhage’s experimental films of light all make up the molecular structure of Microcosm.
Microcosm takes a multimedia approach to its visuals, imitating its collage of influences, utilizing packing tape, enamel paint, super glue, Aquaphor, cotton, ash, chalk, and even human hair and spit to compose the abstract film slides that feature in the work.
On display here are the eleven film slides used in the final animation. Each piece can stand on its own, but together they compose something greater than themselves. Each cell that, when combined, creates another living, breathing entity.
The ethereal sounds of Boards of Canada, the visuals of Yoshitaka Amano’s illustrations, and Stan Brakhage’s experimental films of light all make up the molecular structure of Microcosm.
Microcosm takes a multimedia approach to its visuals, imitating its collage of influences, utilizing packing tape, enamel paint, super glue, Aquaphor, cotton, ash, chalk, and even human hair and spit to compose the abstract film slides that feature in the work.
On display here are the eleven film slides used in the final animation. Each piece can stand on its own, but together they compose something greater than themselves. Each cell that, when combined, creates another living, breathing entity.
Microcosm (Slide #11)
Microcosm is an experimental animation composed of 11 distinct abstract film slides, their cellular movement powered by the rhythm of the music.
The ethereal sounds of Boards of Canada, the visuals of Yoshitaka Amano’s illustrations, and Stan Brakhage’s experimental films of light all make up the molecular structure of Microcosm.
Microcosm takes a multimedia approach to its visuals, imitating its collage of influences, utilizing packing tape, enamel paint, super glue, Aquaphor, cotton, ash, chalk, and even human hair and spit to compose the abstract film slides that feature in the work.
On display here are the eleven film slides used in the final animation. Each piece can stand on its own, but together they compose something greater than themselves. Each cell that, when combined, creates another living, breathing entity.
The ethereal sounds of Boards of Canada, the visuals of Yoshitaka Amano’s illustrations, and Stan Brakhage’s experimental films of light all make up the molecular structure of Microcosm.
Microcosm takes a multimedia approach to its visuals, imitating its collage of influences, utilizing packing tape, enamel paint, super glue, Aquaphor, cotton, ash, chalk, and even human hair and spit to compose the abstract film slides that feature in the work.
On display here are the eleven film slides used in the final animation. Each piece can stand on its own, but together they compose something greater than themselves. Each cell that, when combined, creates another living, breathing entity.
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